| Concerti | | | Sonatas | | | Other | | | Encores | | | Chamber | | | Orchestra | | | Opera | | | Voice | | | Composition |
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| Bach | Brandenburg Concerto No. 4 in G major, BWV 1049 |
| Concerto in E major BWV 1042 | |
| Beethoven | Concerto in D major Op. 61 |
| Bottesini | Grand Duo Concertante for Violin and Double Bass |
| Bruch | Concerto No. 1 in g minor Op. 26 |
| Brahms | Concerto in D major Op. 77 |
| Korngold | Concerto in D major Op. 35 |
| Mendelssohn | Concerto in e minor Op. 64 |
| Mozart | Concerto No. 3 in G major KV 216 |
| Concerto No. 5 in A major KV 219 | |
| Sinfonia Concertante in E flat major KV 364 | |
| Prokofiev | Concerto No. 1 in D major Op. 19 |
| Saint-Saens | Concerto No. 3 in b minor Op. 61 |
| Sibelius | Concerto in d minor Op. 47 |
| Tchaikowsky | Concerto in D major Op. 35 |
| Vivaldi | Concerto in a minor |
| Concerto for two violins | |
| Weill | Concerto for violin and wind orchestra, Op. 12 |
| Wieniawski | Concerto No. 2 in d minor Op. 22 |
| Bach | Sonata No. 1 in g minor BWV 1001 |
| Sonata No. 3 in C major BWV 1005 | |
| Bartok | Sonata for solo violin Sz 117 |
| Beethoven | Sonata No. 3 Op. 12 No. 3 in E flat major |
| Sonata No. 4 Op. 23 in a minor | |
| Sonata No. 8 Op. 30 No. 3 in G major | |
| Sonata No. 10 Op. 96 in G major | |
| Brahms | Sonata No. 3 in d minor Op. 108 |
| Debussy | Sonata in g minor (1917) |
| Elgar | Sonata in e minor |
| Franck | Sonata in A major |
| Handel | Sonata No. 4 |
| Hindemith | Sonata in E major |
| Poulenc | Sonata |
| Prokofiev | Solo Sonata |
| Sonata No. 1 in f minor, Op. 80 | |
| Ravel | Sonata |
| Tartini | ‘Didone Abbandonata’ Sonata |
| ‘Le Trille du Diable’ Sonata | |
| Ysaye | Sonata No. 2 |
| Sonata No. 6 |
| Bach | Partita No. 2 in d minor BWV 1004 |
| Partita No. 3 in E major BWV 1006 | |
| Bloom |
Violin Piece No. 1, 2001 (for simultaneous violin playing and singing) Written for E.H. |
| Bartok | 6 Rumanian Folk Dances |
| Bloch | Baal Shem |
| Gershwin | Selections from Porgy and Bess (arr. Heifetz) |
| Lutoslawski | ‘Subito’ 1992 |
| Martin | ‘Shattered Spectra’ Written for E.H. |
| Massenet | ‘Meditation’ from Thais |
| Mendelssohn | Scherzo Caprice (arr. Yampolsky) |
| Messiaen | Theme et Variations |
| Mozart | Rondo KV 373 |
| Ravel | Tzigane |
| Saint-Saens | Introduction et Rondo Capriccioso Op. 28 |
| Schubert | Fantaisie |
| Smetana | Aus der Heimat |
| Stravinksy | Suite Italienne |
| Svendsen | Romance |
| Szymanowksi | Notturno e Tarantella Op. 28 |
| La Fontaine d’Arethuse Op. 30 No. 1 | |
| Tchaikowksy | Meditation |
| Vaughan-Williams | ‘The Lark Ascending’ |
| Waxman | Carmen Fantasie |
| Ysaye | ‘Poeme Elegiaque’ |
| Borodin | Serenade from the Piano Suite |
| Debussy | ‘Beau Soir’ |
| ‘Le plus que Lent’ | |
| de Falla | Spanish Dance |
| Faure | ‘Apres un Reve’ |
| Gluck | Melodie |
| Grainger | ‘Molly on the Shore’ |
| Kreisler | Rondino |
| ‘La Gitana’ | |
| Kroll | ‘Banjo and Fiddle’ |
| Paganini | Moto Perpetuo |
| Caprices No. 8, 15, 16, 17, 20, 21, 22, 23, 24 | |
| Ponce/Heifetz | Estrellita |
| Prokofiev | March from The Love for Three Oranges |
| Rachmaninov | Daisies |
| Wieniawski | Caprices 1-8, Op. 18 |
| Williams | Theme from Schindler's List |
| Extensive experience, with a focus on the string quartet repertoire, which includes Beethoven Op. 18 quartets, Op. 95 Serioso, The Rasumovsky Quartets and Op. 131; Schubert Quartettsatz and Death and the Maiden. Brahms Quartet in A major, Britten Quartet No. 2, Janacek Kreutzer Sonata, Gershwin Lullaby, Bartok No. 6, and numerous by Haydn and Mozart. |
| Other repertoire includes Stravinsky’s The Soldiers Tale, Tchaikowsky Souvenir de Florence, Schubert String Quintet, Faure Piano Quartet No. 1 and Beethoven’s ‘Ghost’ piano trio. |
| Extensive experience in both chamber and symphony orchestras internationally, frequently in leadership postitions. Concertmaster solos have included Strauss’s Ein Heldenleben and Till Eulenspiegel, Brahms 1, and Debussy La Mer. |
| Consistently in leadership positions. Repertoire includes: Rossini Barber of Seville, Mozart Magic Flute, Britten Albert Herring and Turn of the Screw, Bernstein Candide and William Bolcom A View from the Bridge. |
Voice (Soprano):
| As a professional singer repertoire includes Haydn The Creation and The Messiah, Mozart Requiem, Vivaldi Gloria, Tippett Spirituals, Bach’s Coffee Cantata and numerous art songs. |
| ‘Puppazzetto’ for recorder and piano (published by Forsyth – CD available) |
| Film music for Border Television |
| Contemporary Celtic music, in collaboration with the band Tarras (a CD, ‘Rising’ is available) |